Rewind my life six years and I would tell you that one of my biggest dreams in life is to get a book published. I hoped that someday, somehow, somewhere, for somebody I would be able to write a book. I never dreamt I would have that opportunity so soon and so often. It’s much more than I deserve.
Since 2008, when Why We’re Not Emergent came out, I’ve done a lot of writing and a lot thinking about writing. With Stephen Furtick in the news for his mansion-to-be and Mark Driscoll facing accusations (and some evidence within his ministry) of plagiarism, I thought it would be worthwhile to write down a few thoughts on pastors writing books.
1. Writing for others is a privilege. That someone should listen to me is pretty nice. That someone would take days or weeks to work through something I’ve written is remarkable. That someone would pay money to do so is amazing. Writing is hard work, but authors should never forget that to be read is also a tremendous gift.
2. Writing should be in the service of others. I have no problem with Christian publishing houses trying to make money. They have bills to pay. They can run a business on good will and pious aspirations. Likewise, I don’t have a problem with authors—even pastor authors—being paid for their work (more on this in a moment). It doesn’t even bother me that some authors would write mainly to make a living. But if we are talking about pastors, then surely our writing must be an effort to serve others. If you are in ministry and want to get a book published so you can “arrive” or can be “somebody” or can speak at the top conferences, you better check your heart. And if you are a pastor who is seen as having “arrived” and being “somebody,” that person should check his heart every day.
I think I can honestly say that my desire to write and be published was mostly about a passion to say something worthwhile and a love for writing. I was thrilled when my first book (Freedom and Boundaries) was self-published. This meant my elders could read it, my church could read it, my parents could read it. I wasn’t thinking about anything bigger. I just wanted some of my ideas to get out there. But I also know I have to remind myself of these motives often. It’s easy to start with the best of intentions and end up being an author for all the wrong reasons—because someone tells you it’s time to publish another book, because you want another pay day, because you want to climb the ladder of ministry success. All of us who write must constantly ask the question: am I really doing this to serve others or to serve myself?
3. Writing should be kept in proportion. I’m glad I read Martyn Lloyd-Jones before I ever wrote a book because I can hear the Doctor in the back of my head saying, “The pastor is first of all a preacher and not a writer.” There is nothing wrong with being a writer first, but that’s simply not the calling of a pastor. I need to be a faithful preacher and a caring shepherd before I am a good writer. I’m very fortunate to have a church that values study and supports me in my writing. But I owe it to them, and to my calling as a pastor, to make sure that I do not become an author who pastors a church on the side.
4. Writing should be kept in perspective. Virtually nothing we are publishing today will be read in 20 years, let alone 50 or 100 or 500. That doesn’t mean it shouldn’t be published. It just means authors should not believe their own press clippings (or Facebook likes, or Twitter followers). I cringe every time I see another Christian author talk about his most important book EVER! or his new work that will revolutionize everything about everything. If an older man publishes his magnum opus, let the accolades roll in. But when 30somethings and 40somethings marvel slack-jawed at their own writings—sheesh. It’s embarrassing.
5. Writing should be overseen with accountability. I don’t think there is only one formula for how pastors handle royalties or how they manage writing time “on the clock” or “off the clock.” When I started writing more I asked a number of pastors I respected how they handled royalties. The responses were all over the map. It’s not a simple matter to determine how writing fits into a pastor’s ministry. On the one hand, churches usually benefit from pastors who write. It sharpens their thinking, feeds the congregation, expands the church’s “footprint,” and often enables the pastor to meet new people who become great friends and resources for the church. On the other hand, pastors must be honest that some of their writing (and all that is associated with the release of a book) is bound to take place on church time. More than that, they may sell their books to parishioners, use office staff for book related projects, and devote no small amount of their energies to a task that is not essential to the church’s ministry.
After my first or second book I made a point to set up an oversight committee comprised of three of my elders. I asked them to provide feedback on future projects and to work with me on a financial arrangement that seemed fair. I meet with this committee every few months. They have to approve my travel schedule and my major writing projects. They also get a detailed accounting of my finances every year. Our arrangement is that I give at least 25% of all royalties and honoraria to the church. We revisit this issue annually to see if the arrangement still makes sense. I am an open book with them, and they can ask me whatever they want (also, my salary is voted on by our consistory every year and any member of the church can see every line of my salary and benefits if they want to prior to voting on the budget). It’s been an invaluable process and the men have provided me with invaluable relationships. There is no one way to work with a pastor-author, except that there should be some governing body within his church that encourages, approves, and holds him accountable.
6. Writing should be done by the person whose name is on the cover. Several years ago I was reading through the final theology paper that graduating seminary students in our classis are required to write. As I kept reading I began to notice familiar phrases. Then I saw whole sentences or paragraphs that made me think, “Haven’t I read this before?” And then it dawned on me. I had read these sentences before, because I wrote them. This graduating senior had plagiarized the theology paper I had given to the same classis a few years before. We got together and talked through the issue in person. He was contrite and I chalked up his plagiarism to laziness and ignorance more than to malice. But what he had done was still wrong and a serious infraction (he ended up dropping out of the ordination process).
Whether in sermons or in print, it’s not okay for pastors to take credit for something that is not theirs. Granted, the lines can be blurry. But that doesn’t mean the line doesn’t exist. And just because it feels like the sin of sloth more than the sin of theft doesn’t make it less of an error.
And the same goes for ghostwriting and some research services. Again, I realize there is a place for people to help authors with editing, with research, with tracking down footnotes, with providing information and ideas. Every book is, in some degree, a collaborative process. But the simple fact is that for 99% of the reading public they assume that if your name is on the cover of a book that you wrote the book. If someone took your ideas and worked them into prose, then at least there should be a “with so-and-so.” If someone heavily edited your sermon transcripts into a well-crafted book, they should get some serious mention in the acknowledgements. And if research companies are writing whole chunks of our sermons and our written materials without any attribution, well, this is plain unacceptable. Writers gotta write their own stuff.
7. Writing should be done humbly. Getting published is a funny thing. I speak at conferences and have gotten to meet all sorts of wonderful Christians leaders all over the country and the world because Dave DeWit at Moody Publishers (now at Crossway) really liked the book Ted and I were working on. We got turned down by a bunch of other publishers. One guy liked it. Happened to be the right guy. At the right time. That’s the way the Lord’s providence works. I’m trying to be a good steward of it. But it doesn’t mean I’m a better pastor, let alone a better person, than ten thousand other men who (for whatever inscrutable reasons) haven’t had the opportunities I have.
And one last thought for my fellow authors: let’s err on the side of under-promotion. I get it. I know we want our message to get out there. I know a certain amount of promotion is unavoidable (hey, I made two videos for my last book). But don’t pressure your friends to do you favors. Don’t make your book sound like the greatest thing since the five solas. Don’t pass along all the kudos about your stuff. “Let another praise you, and when they do, go ahead and retweet your awesomeness”—I don’t think that’s what Proverbs had in mind. Better to sell fewer books than to look like a bozo getting to the top of the best sellers list. Writing is a privilege, and that should make us humble not hucksters.
Shared from Kevin DeYoung
It’s a contradiction we writers know all too well: wanting to write with every fibre of our being, but lacking the necessary inspiration to get started and/or keep going.
So what are we to do when creative motivation is lacking? Simply waiting around for inspiration to strike isn’t a viable option, but neither is forcing something onto the page just for the sake of writing. We’re left with no choice: we have to take inspiration into our own hands and seek it out ourselves.
1. Gain experience
It’s hard to write something truly good, something that profoundly connects with readers, if there’s no experience behind the writing. Now, when we say ‘experience’, we’re referring to both writing experience and general life experience. Let’s look at the difference between the two.
‘Wait a minute,’ you may be thinking. ‘Isn’t this a bit of a catch-22? If I’m having trouble finding inspiration to write, how can the solution be…to gain more writing experience?!’
We know it sounds tricky – and, truthfully, it can be. But there’s no getting around the facts: the main thing that makes your writing better is doing more of it. Writing and inspiration go hand-in-hand as a sort of self-fulfilling prophecy: often, the more you get stuck into writing, the more you’ll be inspired to continue writing, and so on.
Likewise, the more you write, the better you’ll get, and the more chance you have at success through publication or recognition. Oftentimes, a bit of encouragement and the reassurance that you’re doing something well can provide you with all the inspiration you need to keep going.
To get to that stage, though, you do need to face one of the most common problems for writers: getting started. But we have a few helpful hints in that vein, so read on…
It may sound clichéd, but the truth about literature is that when it comes down to it, all writing is about life. Every writer, whether consciously or subconsciously, draws on their own knowledge and experiences to inspire them and breathe life into their work.
As a writer seeking to be as prolific as possible, it can be easy to forget that actually living life is the best way to have things to write about! Spending all your time holed up, concentrating on putting words on the page, can actually be counterproductive. It’s impossible to write something that has real conviction, passion and impact if it’s not coming from a real place.
So, besides the natural course and events of your own life, what else about the world can inspire your writing?
Travel, of course, can be a wonderful muse; new cultures, new people and new adventures are all great catalysts for your creative spark. Getting out of your comfort zone and immersing yourself in unfamiliar places can refresh you and provide new perspectives from which to consider life.
However, you don’t necessarily need to spend six months abroad to foster inspiration for your next story. Seeking inspiration can be as simple as sitting in a café or on a park bench, people-watching and listening to snatches of conversation, observing the flow of the world around you and allowing it to blossom into concepts and stories.
2. Read widely
This one is a given, and it’s probably something you’ve heard many times before, but the importance of reading can’t be stressed enough. All good writers are readers too. No matter how individual a style or how natural a talent you have, your writing will always be made better by the other work you read and absorb.
Obviously, you should read extensively within the genre or style you intend to write in, but don’t limit yourself to that alone. Whenever you’re not writing, try to devour a variety of genres and forms. Explore fiction and non-fiction, short-form and long-form, poetry and short stories, magazine and blog articles… Read everything, and read often!
Reading becomes especially crucial when you’re lacking inspiration. We don’t necessarily mean that you should go searching for new ideas within other people’s works; while a brainwave might indeed strike you while you’re in the middle of a new novel, it’s more likely that reading will simply remind you why you became a writer in the first place. Try to use the work of other writers as a constant source of encouragement, inspiration and motivation.
When it comes to non-fiction, books about the craft of writing can come in especially handy. There’s an incredible number of books about writing out there, so the titles you find most helpful and inspiring will depend on your individual writing aspirations. To get you started, though, there are a few classic staples that we recommend, as they will serve any writer well. These include:
- On Writing: A Memoir of the Craft by Stephen King
- Bird by Bird: Some Instructions on Writing and Life by Anne Lamott
- On Writing Well by William Zinsser
- The Writing Book: A Practical Guide for Fiction Writers by Kate Grenville
- The Modern Library Writer’s Workshop: A Guide to the Craft of Fiction by Stephen Koch
- Zen in the Art of Writing by Ray Bradbury.
Here’s a great tip in today’s age of smartphones and social media: replace the time you’d usually spend aimlessly scrolling Facebook with some proper reading time. Whenever your hand automatically reaches for your phone during lunch breaks or before bed, redirect it towards a book instead! Your writing will thank you for it.
3. Be part of the writing community
Writing is something of a lonely pursuit. Solitary by nature and by necessity, the craft of writing demands that its pursuers spend a great deal of time inside their own heads. While this suits the majority of writers, there are times when it inevitably leads to frustration, a sense of isolation and a lack of inspiration.
When this is the case, it’s time to re-join the real world, and the best way to do so while also seeking inspiration is to connect with likeminded individuals in the writing community.
As we mentioned in point 2, the work of other writers is often a great source of inspiration – but what about writers themselves? Surely there’s no better way to motivate, reaffirm and refresh yourself than by reaching out to people who are just as passionate about writing as you are!
Obviously, this isn’t as easy as flicking Margaret Atwood an email to ask for a few tips. Instead, you’ll need to track down writers online or in your area – most of whom will be amateurs just like you – and start up a discussion, a joint project, or even just a new friendship.
A few good ways to immerse yourself in the writing community include:
- Joining a local writer’s group or your state Writer’s Centre;
- Attending literary festivals, events, classes and workshops;
- Participating in online forums, such as Facebook groups for writers;
- Exchanging work with other writers for feedback and critiques.
The pleasure and benefit you’ll gain simply by talking to another writer is a gift in itself. To discuss your shared passion and craft, and perhaps most importantly of all, to be reminded that other people are having the same difficulties as you… There are few things more encouraging or inspiring to a struggling writer.
4. Keep things in perspective
Writing anything at all – whether it be a well-developed short story or (gulp) an actual full-length novel – can be extremely daunting. An insurmountable wall of possibilities and obstacles can loom up before you, and questions like ‘Where do I start?’ or ‘How can I ever finish?’ can haunt even the most confident wordsmith.
At times like these, it pays not only to remember that you aren’t alone (see point 3), but also to have a sense of perspective. Tackle things in terms of the bigger picture: remind yourself that all writers have been where you are, and that the only way you can truly fail is never to start at all.
To lessen the intimidation factor, keep in mind that writing just a few hundred words every day will add up in the long run. Before you know it, you’ll have a solid foundation upon which to build and expand or refine and improve.
For every writer, crafting stories takes time and extensive effort, so don’t beat yourself up about the problems you can see with your manuscript or the length of time you’re taking to write it. Just take things one word at a time; after all, that’s the only way to get things done.
5. Know yourself as a writer
A writer, like any other professional, needs to know how to play to their strengths. By doing so, you’ll ensure that you’re at the top of your game, producing the best work possible – and you’ll also nip a lot of insecurity and doubt in the bud.
Don’t dwell on your writing’s weaknesses or despair over the aspects of the process you find most difficult. By all means, work to improve these elements, but never allow pessimism to consume you – and, most importantly, never compare yourself negatively to other writers. Instead, focus on what you do best and what you’re most passionate about, and you’ll always find the inspiration and motivation you need.
For instance, if you have a knack for immersive, detailed description, try to build your story around this technique, painting a vivid and engaging portrait for your readers. If you’re more suited to writing snappy, compelling dialogue, use that as a focal point in your writing instead – or even try out a completely different medium that favours dialogue, such as scriptwriting.
As well as knowing your strengths as a writer, you should also make a point of structuring your writing process around your strengths as a worker. For example, if you find you’re most creative and productive first thing in the morning, get up early and dedicate AM hours to writing. Night owls, on the other hand, might choose to rise later so they can stay up writing into the night.
The bottom line is that no two writers will ever write – or work – in exactly the same way. Use this to your advantage by honing in on your individual strengths and allowing them to inspire and guide your writing.
6. Focus on writing first and editing later
At one stage or another, you’ve no doubt come across this sage piece of advice: ‘Write drunk, edit sober’. (While it’s commonly attributed to Hemingway, there’s no evidence that he ever actually advised such a thing – but that’s another story for another day.) While we’re firm believers that you should do what works for you in order to be inspired, we’re not necessarily suggesting that you pop a bottle of red every time you want to write!
Rather, we’re saying that you shouldn’t hold yourself back in any way when creative inspiration strikes. Have you ever sat down to write and found the words flowing forth quickly, effortlessly, almost as if you couldn’t control them? Have you ever found yourself feeling suddenly compelled to scribble down a phrase, thought or idea, even though you’re not entirely sure of the direction it’s leading?
Our advice is to always embrace that feeling completely. Whenever you’re struck by pure inspiration like this, don’t interrupt its flow for anything – let alone to correct grammar, change a word or rearrange a sentence. Without overthinking it, allow yourself to write whatever comes naturally, and don’t stop until you’ve run out of words! Get everything out onto the page, even if it doesn’t quite make sense or isn’t as elegantly phrased as you’d like.
It’s easy to develop the habit of editing as you write, but the truth is, this is neither the most productive nor inspiring way to do things. The writing and editing sections of your brain are totally different. When you’re writing, you’re tapping a well of creativity; you’re giving your mind free rein and exploring any and every possibility. When you’re editing, however, you enter a much more critical mindset, applying judgement, logic and rules to strip your work back to its purest and most effective state.
Always remember that a first draft is just that. It can be sculpted and shaped to your liking a hundred times before it ever sees the light of day; what’s important is that you have some truly inspired raw material to work with in the first place.
So, writers: after all that, are you feeling any more inspired? If not, don’t worry. It could just be one of those days – we all have them. Take a break and come back to your writing later; but in the meantime, perhaps try out one of our suggestions and see if it stimulates your creativity. You may be pleasantly surprised with the results.
Shared from www.writersedit.com.
If you’re a pastor, then you should be writing. Ok, wait! Before you start with a list of excuses just hear me out (besides, I know all the excuses because I regularly used them to avoid my responsibility as a writer).
As a pastor, your teaching is part of your spiritual fingerprint – make your impression through writing.
Writing is first and foremost an act of sheer will. It’s not easy. But if you are a pastor I am fully convinced that it’s a necessary part of your ministry. Here’s why:
Expanding Your Audience
At first, this sounds self-serving. However, remember the Apostle Paul’s desire to go to great lengths to reach people for Christ. He said, “I have become all things to all people, that by all means, I might save some.” (1 Cor 9:22)
As a pastor, each week your audience is limited to the number of people that will attend your church on Sunday. That’s a problem because even if you could pack the building every single week there’s still a limit to how many chairs you can set up. And there’s even a limit to how many services you can hold.
These physical limitations are difficult to overcome, but by writing and publishing there is virtually no limit to how many people you can reach. Sure, it takes a while to build a good-sized audience, but it’s worth it.
Building a legacy
Here’s one of my frustrations as a pastor: I usually spend 10-15 hours praying about, thinking about, preparing, and writing a message to teach on Sunday morning. Then, when I’m done…it’s gone. Almost forever. No one may hear it again!
That’s a problem because I believe these messages to be God-ordained and important to the cause of Christianity. Not just to my parishioners but to Christians everywhere. I don’t want them to fade away forever.
A church and its leaders can have a great impact on the community both in terms of outreach and aid. But this is also true when it comes to the philosophy, doctrine, and teaching too.
As a pastor, your teaching is part of your “spiritual fingerprint” in the world. Allow those ideas to make an impression in the world through your writing.
As a pastor, you are in the business of creating fresh content every week. Literally, it’s your job to look into the scriptures and find innovative ways of communicating those important truths to your congregation. Like me, you take those ideas, format them to be captivating and interesting, and verbally deliver them in the form of a sermon.
While the sermon is meant to be spoken, those ideas can also become source material for your writing. Whether they become a book or a weekly blog, you have ready-to-go content on a regular basis. So, there’s no need to try to figure out what to write – just write what you are teaching.
There’s considerable evidence to suggest that much of the scripture we read each week on Sunday morning are parts of sermons, regularly given by the Apostle Paul. The book of Hebrews is one long sermon!
Note: you’ll notice that Sermon Series become great books, each sermon becoming a subsequent chapter of the book. This is one of the secrets of many ministry writers, from Timothy Keller to Chuck Swindoll.
Previously, getting published was difficult and expensive. It’s not that way anymore. A writer can publish a blog for a few dollars per month, if not for free. Platforms like Medium are also a great way to publish your thoughts.
Even if you desire to publish a printed book, self-publishing is so simple that there’s no reason not to do it.
Without question, published authors have greater chances to impact their community through speaking engagements, teaching opportunities, and additional writing prospects. This can lead to a larger audience but also to financial blessings as well. Some may shun the financial rewards that may accompany a writing career, but for many in ministry, this can be a realistic way to supplement ministry in a small church.
So where are you in the process of becoming a writer? Have you tried and failed? If so, keep trying! Develop a regular routine and stick with it.
Shared from By
Writing isn’t a desire or skill I was born with.
You see, I’m dyslexic and re-learned how to properly read when I was 22-years-old. The idea of being a pastor, author, and publisher was something I’d never dreamed of doing.
But over the years, I noticed a gradual change in my life and interests. I discovered a passion for reading, which led the way to a passion for writing. I found myself looking forward to writing papers for graduate school and excited to research and write my sermons.
I didn’t notice these changes at first. It wasn’t until some years had passed by that I realized I enjoyed reading and writing as much as I did.
But there are five fundamental things that set serious writers apart from the rest.
I started making opportunities to write, received positive feedback, and was inspired to push through my challenges after hearing from people that my writing encouraged them.
Since becoming a pastor, I’ve discovered many reasons why I should pursue my interest in writing and write a book. If you’re a pastor and you’re thinking about writing a book, here are five reasons why I believe you should consider doing so.
I don’t consider myself the best writer. Far from it. But I do consider myself called to write.
Writing is a legitimate extension of pastoral ministry. In the words of Tim Keller, “It is part of the ministry of the Word.”
If you desire to write, then write. But remember this: Writing well takes time. So, if you believe you are called to write, prayerfully consider if you have the bandwidth in your life and ministry to pursue your passion as a writer. There are seasons in my life where I need to put my writing on pause in order to focus on other important things.
As a ministry of the Word, writing is a great medium to serve others within your church and beyond. Writing is a great complement to your preaching. It’s a way to reinforce your message, add additional insight, and better resonate with people who best learn through reading.
If you’re not ready to write a book, consider writing a newsletter for your church, starting a blog, or expanding your thoughts via social media.
The church I pastor gives a free copy of my book to every visitor. This isn’t a ploy of self-promotion, but an opportunity to help those who are visiting to connect with the guy on stage. It adds value to those who are attending by letting them know we understand everyone has a story, and the way Jesus influences our story is worthy of sharing.
I’ve had many people who joined our church tell me that after reading my book they felt like they knew me. In a church who longs to be relationally connected with Jesus and one another, I would say this is a win!
Writing and publishing a book has afforded me, and the leaders in my church, the opportunity to talk about Jesus with people who may typically hesitate to discuss spiritual matters with a pastor. It has also provided us an opportunity to encourage people to tell their story without fear of judgment or retribution.
For our people to feel comfortable enough to share their story, we have to be comfortable enough to communicate ours, and we must do so in a way that is scalable as our church grows.
Capturing how the Lord has influenced your life in the form of a book creates a lasting legacy of the example of His grace. Not only does it build connectivity locally and increase the opportunity for ministry, but such a book allows you to point to your Savior long after you’re gone.
Some leaders have messages they want to share other than their testimony, which I think is great! These messages still display the glory and redemptive quality of God in human lives.
As a pastor and publisher, I love to guide fellow pastors to realize they have a message deep within them. Not only that, but the act of writing and publishing that message will lead to deeper connectivity, opportunity, and legacy in their lives.
Whether you’re a pro content writer, fictionist, screenwriter, academic, poet, stateswoman, or bard-preneur (h/t Sonia Simone), you’ve likely experienced anxiety or elation about any number of the habits we all have in common.
Authors of all stripes share a deep connective tissue that compels them to congregate in coffee houses and taverns — across the globe — to tell one another stories of their travails over a beverage or two.
We all have our varied neuroses, methods of madness, well-worn manuals, muses, writer porn, and incantations that we feel grant us the strength to face the glaring blankness of the page.
But there are five fundamental things that set serious writers apart from the rest.
Only serious writers:
1. Show up regularly.
2. Get started, no matter how inspired they’re feeling.
Showing up is an undervalued talent.
You could be a word-counter, time-blocker, Pomodoro technician, or an edge-of-your-seat procrastinator … all serious scribes show up regularly to write.
Frankly, it doesn’t matter how many words or how long you commit to butt-in-chair time … what matters is that you do it over and over until you have something of value for you, your audience, benefactors, clients, subscribers, or publishers.
A steadfast commitment to the art is part of your psychology
For The Writer Files podcast, I had the pleasure of interviewing writer and educator Bec Evans — co-founder of the digital writing coach Prolifiko — on the neuroscience of habit.
She and I spoke about the big impact of small habit changes on building a successful writing routine:
“Researcher, Dr. Robert Boice, studied writing productivity, and he always compared daily regular schedules, people who just write every single day, with people who binge write. And he found that on all measures of success, the daily habit wins.
“The only one that the binge writers scored more highly on was depression, because it was very much seen as people rushing to meet deadlines in a panic.” – Bec Evans
She reminded me that serious writers don’t wait for the muse to visit them before they start, and this is echoed by many famous writers I’ve spoken with over the years.
One pro journalist who subscribes to the Boice method, and sits down every weekday morning to write, is Guardian columnist Oliver Burkeman.
He also shared a book with me on the podcast by author Paul J. Silvia titled How to Write a Lot. In it, Silvia discusses the fallacy of writer’s block and the power of habit:
“You don’t need … special motivation to write a lot. You don’t need to want to write — people rarely feel like doing unpleasant tasks that lack deadlines — so don’t wait until you feel like it. Productive writing comes from harnessing the power of habit, and habits come from repetition.” – Paul J. Silvia
How achieving small, attainable goals rewards your brain
The power of simply starting is an incredible psychological tool for serious writers.
The cursor blinks ominously in the pole position at the beginning of every piece of writing.
But as soon as you start a project, you are naturally compelled to want to finish it, no matter how long it takes. The human brain doesn’t like loose ends.
I spoke with neuroscientist Michael Grybko about some of the reasons why writers run into issues with deadline anxiety and the importance of developing a “pattern of positive thinking and accomplishment” to stave off writer’s block:
“Try to be more approach-motivated and [one tangible thing] we can do to help facilitate this is set obtainable goals, even small stuff.
“As you go through a project … ‘All right, I want to get this much research done today,’ your brain’s going to reward you a little bit … ‘Okay, here’s a little dopamine. Success. Way to go!’” – Michael Grybko
Small steps make for big achievements over time
Scheduling a mere 10 minutes a day is all you need to start that habit. Sit down, open laptop, don’t move ’til words.
Habits and human potential author James Clear wrote an article titled “Why Getting Started is More Important Than Succeeding” where he noted:
“Being the best isn’t required to be happy or fulfilled, but being in the game is necessary.”
All serious writers know that small, incremental steps are the only path to achieving great work, and that you can’t edit a blank page.
Only serious writers:
3. Think on paper.
Some of your best work will come by virtue of you wrestling with the words on the page, not in your head.
“Don’t think and then write it down. Think on paper.” – Harry Kemelman
When I spoke with New York Times bestselling author and co-founder of Wired magazine, Kevin Kelly, we talked about the importance of drafts and formulating ideas as you work:
“I don’t feel like I’m a writer. I write to figure out what I’m thinking … for me the killer thing is the first draft.
“I don’t have an idea to write; I write it to have an idea. So that means writing stuff that won’t be used, but I have to go through the process.” – Kevin Kelly
Once you start a project, your brain works on it in the background (what neuroscience calls the default mode network) and does some of the work for you, subconsciously.
All serious writers know that every inspired or brilliant page is typically preceded by a dozen shitty ones.
It’s all “grist for the mill”
In the book Several Short Sentences About Writing, the author, Verlyn Klinkenborg, talks about a serious writer’s job.
By giving yourself the opportunity to clarify your thinking while you write, you open yourself up to being more efficient and creative simultaneously.
“Where do sentences come from?
“How do they reveal themselves in your thinking?
“Sometimes you know exactly what you want to say. And you find the words to say exactly that.
“But just as often, what you want to say emerges as the sentence takes shape …. thought and sentence are always a collaboration.” – Verlyn Klinkenborg
Somewhere between the sentences, a subtext emerges from the interwoven ideas that occur as the work becomes … itself.
“The best writing is rewriting.” – E.B. White
The blank page is a canvas you initially fill, however minimally or ostentatiously. Slowly but surely, serious writers pare the work down, or shore it up, to its usefulness.
Usefulness is what the reader takes away, not the length or the shape of the piece at its inception. Your initial keystrokes will likely never be seen by a reader.
Only serious writers:
4. Get bored, and understand it’s part of the process.
5. Meet their deadlines no matter the hardship or duress.
Writers need to remember that writing is a tedious and, at times, maddening endeavor. It ain’t sexy.
I asked the bestselling sci-fi author of The Martian, Andy Weir, about how he stays motivated:
“A great writer … I blanked on who it was … said, ‘Sometimes you’re writing and you’re extremely motivated, cranking out words … and other times it’s just a slog. Every word on the page is a huge amount of work, and you feel like crap, like you’re hammering away … it doesn’t feel good at all.
“‘One thing you’ll notice is, if you wait a week, and then look back on the stuff you wrote, you can’t tell the difference between when you were motivated and when you weren’t.’
“It’s really important to remember that the quality of your work isn’t greatly affected by the amount of enthusiasm you had at the moment you wrote it.” – Andy Weir
Deadlines are the pressure that make a diamond
Every serious writer I know also has a methodology that gives them a professional advantage to hit their deadlines. They’ve done it so many times it becomes second nature to them.
The award-winning creator, producer, and host of the megahit Lore podcast, TV show, and book series, Aaron Mahnke, came on the podcast to discuss his writing regimen and share some advice for serious writers.
We spoke about his commitment to creating the show like clockwork and why its success doesn’t give him the luxury of procrastination:
“I have to write and I don’t wait for inspiration or the right mood.
“I just sit my butt down and I write words. I’ll tell you a secret. The words you write on your most inspired day are 99 percent as good as the words you’ll write on the hard days.
“If you put them in a deck and shuffle them and ask somebody to tell you which one is better quality writing … those days where you struggle for the words are just as good.” – Aaron Mahnke
Without some kind of deadline, either self-imposed or professionally mandated, most writers become preternaturally lazy
New York magazine columnist and essayist Heather Havrilesky talked with me about meeting her multiple deadlines:
“Try to get into the zone quickly, and if there’s flow, just go with the flow no matter what kind of madness you’re writing. I find the more deadlines I take on, the better my writing flow is. Having a weekly column really helps there.
“I think people who have giant projects hanging over their heads, and they can’t get in the flow, they’re blocked. A lot of it is because they don’t have a daily writing exercise. Like any kind of exercise, if you’re not limber enough, it’s going to feel like you don’t even know how to do it.” – Heather Havrilesky
All serious writers meet their deadlines with ease, and they don’t sweat it because they have the tools at hand to keep the cursor moving until the job is done.
“There are writers. And then there are professional writers.” – Stefanie Flaxman
Personally, if I’m on a deadline, my office gets really clean. But I know that procrastination is part of my process, so I don’t beat myself up about it.
Multiple New York Times bestselling author Daniel Pink spoke with me about his incredibly consistent, workman-like process, and I often refer back to it for inspiration and as a model of true professionalism in writing:
“When I’m working on a book or it’s at that stage where I’ve done enough research, where I feel like I’ve more or less mastered a lot of the material and can move on to executing it, I actually think of it as bricklaying where I’ll come to my office, show up in my office at a certain time, like say 9:00 a.m.
“I’ll set myself a word count for the day. Let’s say 500 words. I will then turn off my phone, turn off my email, and then I will do nothing, truly nothing, until I hit my word count. If I hit my word count at 11:00 in the morning, hallelujah. If it’s 2:00 in the afternoon and I still haven’t hit my word count, I’m not going anywhere.” – Dan Pink
Only serious writers have the ability to focus on what’s important and tune out what’s not.
Most turn off the internet, for the record.
Great writers aren’t born; they’re forged from toil, rejection, and the occasional success.
It’s their deliberate practice, grit, persistence, commitment to growth, and inner drive that sets them apart.
What sets you apart?
Shared from https://www.copyblogger.com/serious-writers
A lot of people think they can write or paint or draw or sing or make movies or what-have-you, but having an artistic temperament doth not make one an artist.
Even the great writers of our time have tried and failed and failed some more. Vladimir Nabokov received a harsh rejection letter from Knopf upon submitting Lolita, which would later go on to sell fifty million copies. Sylvia Plath’s first rejection letter for The Bell Jar read, “There certainly isn’t enough genuine talent for us to take notice.” Gertrude Stein received a cruel rejection letter that mocked her style. Marcel Proust’s Swann’s Wayearned him a sprawling rejection letter regarding the reasons he should simply give up writing all together. Tim Burton’s first illustrated book, The Giant Zlig, got the thumbs down from Walt Disney Productions, and even Jack Kerouac’s perennial On the Road received a particularly blunt rejection letter that simply read, “I don’t dig this one at all.”
So even if you’re an utterly fantastic writer who will be remembered for decades forthcoming, you’ll still most likely receive a large dollop of criticism, rejection, and perhaps even mockery before you get there. Having been through it all these great writers offer some writing tips without pulling punches. After all, if a publishing house is going to tear into your manuscript you might as well be prepared.
Writing has become very public these days. We write on Twitter and Facebook, on blogs and in emails. We work hard to write well, be clever, capture attention, and because we’re good at writing, we’re often successful.
It feels like writing, doesn’t it? That series of events, write-post-garner attention-repeat, feels just like the experience of writing some other piece of writing and getting it out in the world and capturing attention.
The problem is that offering every thought up for public consumption often drains them all of depth. Another problem is that those polished jewels you’ve tossed out to Twitter/etc have used up a bunch of creative energy you might have spent on your actual writing.
Obviously, none of us are going to give up public writing. It has become part of our lives. Here I am, writing a blog (and enjoying it, just so you know). This morning, I wrote a bunch of Facebook posts, and I’ll avidly check back to see if anyone has responded. That’s what we do now. That’s what I do.
If writing is important to you—and you wouldn’t be here if it wasn’t—you should have a private writing practice as well as all that public work. Call it a journal. Call it a writer’s notebook. A diary. Lots of people are keeping bullet journals these days, and writing in them with their juicy fountain pens and special ink (my current favorite is Walden ink, with a Noodler’s Ahab Flex), which I think is a big plus—writing by hand is a way to access different pathways in the brain. Writing by hand is very personal, intimate, and creates a compelling emotional record over time.
The idea of a writer’s notebook has been with us for a long time. Mark Twain kept a notebook for most of his life, starting when he was twenty-one and couldn’t remember the instructions at a job. He eventually filled over 40 pocket notebooks,
“with observations of people he met, thoughts on religion and politics, drawings and sketches of what he saw on his travels, potential plots for books, and even ideas for inventions (he filed 3 patents during his lifetime). Many of his entries consist of the short, witty, pithy sentences he is famous for. He felt that if he did not write such things down as they came to his mind he would quickly forget them. He would also record little snippets in his notebooks of what had happened that day, such as what he had eaten and who he had seen. And finally, he wrote dirty jokes in the back of them.” (from The Pocket Notebooks of 20 Famous Men)
On LitHub, Dustin Illlingsworth said of writer’s notebooks:
“…what we find within their pages are wild, shapeless, violent things; elegant confessions and intricate codes; portraits of anguish; topographies of mind. Prayers, experiments, lists, rivalries, and rages are all at home here, interbred, inextricable from one another. A piece of petty gossip sits astride a transcendent realization. A proclamation of self-loathing becomes a paean to literary art. News of publication shares the page with the most banal errands imaginable.”
Just like life.
A writer’s notebook is meant to be everything, anything. A place to meander, to think, to wail and gnash teeth, to experiment and play. It’s a private log of your own life, whatever bits of it you want to set down. It’s meant to be about you.
In perhaps the best exploration of the subject, “On Keeping a Notebook,” from Slouching Toward Bethlehem, Joan Didion writes,
“We are brought up in the ethic that others, any others, all others, are by definition more interesting than ourselves; taught to be diffident, just this side of self-effacing…Only the very young and the very old may recount their dreams at breakfast, dwell upon self, interrupt with memories of beach picnics and favorite Liberty lawn dresses and the rainbow trout in a creek near Colorado Springs. The rest of us are expected, rightly, to affect absorption in other people’s favorite dresses, other people’s trout.
“And so we do. But our notebooks give us away, for however dutifully we record what we see around us, the common denominator of all we see is always, transparently, shamelessly, the implacable ‘I.’”
(I love that she lived in my town once upon a time, that she went to my same school for second grade. We washed our hands at the same restroom sinks, many decades apart, but it links us. Maybe some of her writing magic lingered and soaked into my skin through some creative alchemy.)
That viewpoint of ourselves, looking at the world through our own eyes and recording whatever we see, whatever we feel, leads to voice, the one and only thing that belongs to one and only us.
In a world increasingly public, that feels urgently important. If you’re always posing for the world, polishing clever sound bites, taking the elegant selfie, how can you know what you feel, or where you feel it, or how it burns, if you are not perfect? How can you experience your own rabid jealousy or howling broken-heartedness or sour pettiness?
If you don’t know it, feel it, see it and taste it, how will you write it into a character?
I challenge you to start a writing practice, or get back to one if you’ve drifted away. Get yourself a notebook—it doesn’t matter what kind. I like Moleskines because they’re flexible and come in many sizes and they have ruled pages that are just right for my handwriting. You might like a dot grid or blank. One of my sons carries around tiny Field Books and writes in teeny handwriting in them. It doesn’t matter, but there can be some pleasure in finding something you like. Probably better if it isn’t fancy, because then you’ll want your thoughts to be all shiny and precise and that’s not what this is about. You want to give yourself permission to be messy or mean or petty if the day requires it. Also find a pen. This does matter a bit—if it feels good to write your words, you’ll do more of it. Gel pens are often really easy to write with and cheap.
Start carrying around that notebook and that pen and when you have coffee, write for awhile instead of checking email or obsessively scrolling through Twitter on your phone. Then, take five minutes at the end of the day to write down what it was like to live this day. What did you do in the morning, and the afternoon, and the evening? What did you learn? A sentence will do.
Do it every day. Find a way to keep that notebook at the ready, so that you can see what you see when you look into the world— if you and I sat side by side at a coffeeshop and wrote about the scene in front of us, we would seize upon different details. I’ll find the turquoise blouse. You’ll go for the smell of the coffee and how it reminds you of waking up in the morning for school when you were a child and breakfast was served on a red formica table. Go with it, wherever it goes.
In the moment… I am watching my dogs tear up another quilt I brought home from Goodwill. I should stop buying them, but I hate it when they have to sleep on the plain floor.
If it feels intimidating, try using prompts, such as those found in Natalie Goldberg’s Writing Down the Bones, a wonderful book about the writer’s notebook. Poke around online and read what other writers have written into their notebooks and journals.
Do you keep a notebook? Have you done so in the past? What are your favorite writer’s notebooks?
Nothing is more oppressive than the blank white screen of a Microsoft Word document. If you preach regularly, you know the feeling already. Your deadline (the weekend service) is coming, and you’re trying to craft a message that will capture the truth of God’s word, and yet so far all you are looking at is a blank screen and a blinking cursor. Here’s the bad news first: The oppressive white Word screen is even worse when writing a book. Where sermons have a hard deadline that passes and then you move on, books—especially when self-published—have deadlines that stretch on forever, and you can always wonder whether what you’ve written is any good.
The good news (sort of): Writing a book is hard for everyone, even that bestselling novelist you love. The more you do it, though, the more you learn to embrace the creative tension, knowing this is the path toward writing something good. So if you’re thinking about writing a book, or are currently banging your head against your MacBook in despair, here are seven quick thoughts on how to make the writing process flow as smoothly as possible.
DON’T FORGET TO PRAY
To quickly state the obvious: Your book’s kingdom value is directly connected to how in tune with the presence of God you are. Before you start your writing project, spend significant time asking God to birth a vision in you of what He’d want you to say.
FIND YOUR BURDEN
Be able to state in one sentence (no run-ons!) what your book is about—you’ve probably heard that before; but then write another short sentence explaining why your book matters. Why is this important enough for you to spend hours working on it? What is—as Bill Hybels once said—your “holy discontent”?
KNOW YOUR AUDIENCE
Who are you writing for? Do these people know you? Are they strangers? Are they committed followers of Christ, casual church attenders or spiritual seekers? What age are they? Get an image of two to three people you know who are your ideal audience, and as you write, write to them.
Remember in middle school when you had to turn in an outline for your research paper? Turns out that was good training. In the same way you (hopefully!) wouldn’t get up and wing a 40-minute sermon, don’t sit down and write blind. Start by outlining your chapters, and then outline a broad path you’d like to see each chapter take.
THINK LIKE A SERMON SERIES
If you’re writing a fiction book, or the history of the Peloponnesian War, ignore this; however, if you’re writing a book designed to unpack a theological concept for the purpose of life change, then structure your book the way you would a sermon series. Give each chapter a beginning, middle and end. With each chapter, create a tension up front, show what God’s word says about it, then walk people through the ramifications of that.
Each chapter should be unified by a common theme, just like in a sermon series. Even better is if each chapter builds on the one before. Maybe think of it like an episode of a really great TV show. Each episode has its own plot that you’re riveted by, but these episodes slowly advance the bigger, season-wide story.
GREAT WRITING DOESN’T HAPPEN, IT’S HONED
Sometimes it’s easy to be discouraged when you write something, read it and immediately know it’s terrible. Many people will wait to write until they have a burst of inspiration. It’s easy to think that the great writers just sit down and brilliance spills out of their first drafts, but this is never true.
Every great writer will tell you their works don’t take shape until the second or third draft. What this means for you is: 1) write regularly, preferably every day if possible, and 2) edit, edit and re-edit. Frequent writing will help you improve your skill, and frequent editing will help you get a sense of what is working, what isn’t and what you are really wanting to say.
BETA TEST YOUR BOOK
When you’re finished with your book—or even just a chapter—find people you trust, have them read it and listen to their feedback. Encourage them to tell you what parts they loved, but also ask them if there were any spots where they felt lost or got distracted.
What you’ll usually find is while people’s suggestions on how to improve may differ (and sometimes be unhelpful), they usually will agree on what to improve. If two to three people all mention a specific section as an area of improvement, a place they were confused or a time they got distracted, then know something needs to change with that section.
These are just a few quick tips on how to navigate writing your book. It’s hard work, but it’s also worth it. If God has given you a burden, then write with authority, believing He’ll use your work to make a difference. Get started today by downloading the Free Self-Publishing Guide.
Shared from https://equippress.com.
“Pastors who sell their books are only in it for the money,” said one disgruntled blogger. He added, “Why do they always have to mention their ‘new’ book?”
Whether it’s a marketing agency that pushes a book to the top, or blogs rebuking slick marketing campaigns designed to create urgency—the question, “Should pastors sell and promote their books?” comes up often.
An email from a large publisher prompted the completion of my last book, Desperate for More of God. Their interest motivated me to finish the manuscript. For that, I am forever thankful. But as the process of publication moved on, they decided to drop the project. Their email read, “Let me start with the bottom line. I don’t think I can move this proposal forward to committee at this time.”
While he liked “Desperate” as an angle, he didn’t think that the book was marketable, or that it addressed a “felt” need. While the word “desperate” draws attention, sadly, “more of God” is not what many are desperate for, according to this publisher.
Why am I sharing this you? To illustrate the fact that we can sometimes be more concerned about marketing than about helping people. As an author, my job is to give the reader what they need to hear versus what they want to hear. If our focus is on marketing instead of people, it will tip the scale in the wrong direction.
Before asking if a book “pops” or if its “marketable,” I ask, “Will it truly help people in their walk with God?” And what is affordable and what is extravagant.
How can we promote books and resources, while at the same time, honor God? Here is a helpful checklist to keep integrity at the forefront:
- Is there accountability in place from those who are not “yes” men? Seek godly counsel on a regular basis from mature believers who can help direct your steps. All that we do and say should reflect the integrity and seriousness of our message (cf. Titus 2:7).
- Is this something Jesus would endorse? Before asking if a book is marketable and relevant, we should ask, “Does it glorify Christ? Is it consistent with Christian character? Will it send the right message? Will it cause others to stumble or think less of the gospel?”
- Is your goal name recognition or to honor God?
- How can we bless the less fortunate … those who may not be able to afford copies? My policy has been to try and give away more than I sell, and to sell them at a fair price. When Desperate for More of God was posted on Kindle, many well meaning people told me that the price was too low, but it has helped many people. I’d rather reach more people and make less money than visa versa. Granted, no one in perfect in this area — all of us fight against the pull of the flesh.
- Make sure, without a shadow of doubt, that God is leading you. Many books are written for name recognition and financial gain, but many are not. Use wisdom, examine motives, and ask, “Is God truly directing me? Are my actions consistent with Scripture?”
- Look to the Word first and foremost for direction, wisdom, and discernment. Many questions about integrity, marketability, and stewardship would be answered if we simply looked to God’s Word instead of the world for the answers.
- If in doubt, footnote.
In general, our culture is looking for authenticity — even they understand that a compromised life sends a compromised message.
A.W. Tozer noted, “Where does Christianity destroy itself in a given generation? It destroys itself by not living in the light, by professing a truth it does not obey.”
What an insightful perspective, especially for us today.
We shouldn’t immediately assume that most authors are in it for the money. Scripture encourages us to err on the side of grace, not judgment. If an author writes something noteworthy that will benefit readers, God may want to promote it. Christian authors rarely make a living selling books. Most simply want to help people, but someone has to cover the shipping, printing, and production cost of the book.
In Matthew 21:12 Jesus entered the temple courts and “drove out all who were buying and selling there. He overturned the tables of the money changers and the benches of those selling doves.” These money changers were taking advantage of the people; they were using God’s house to manipulate. This is not a proof text against offering helpful resources to those in need. If an author offers a good book for a good price the choice is left up to the consumer to purchase it or not. This is a much different setting than the setting and context of Matthew 21:12.
The Bible is our guide and should be read more than any other book, but people like the Puritans, A.W. Tozer, Andrew Murray, D. Lloyd-Jones, E.M. Bounds, and so on offer wonderful insight … their resources have helped countless people. Surely we wouldn’t neglect godly counsel in person, why neglect it in book form. Granted, there are “Christian” authors who take advantage of people and whose books should be avoided, but let’s not throw the baby out with the bath water.
Pastors are not CEOs or business executives; we are called to lead people in complete surrender to Christ. Jesus must increase as we decrease. Many are missing the mark in this area and do need to be challenged from time to time. But let’s remove the spirit of judgmentalism that immediately assumes that an author is “in it for the money” because they write a book.
Christians are fallible and make mistakes. We should consider the total portrait of one’s life, character, and ministry and evaluate on that basis. A few poor choices over the course of many years shouldn’t define a person. One’s life and character speak volumes as to the sincerity of his or her ministry. We should extend to others the same grace that we desire.
Find more at http://shaneidleman.net
I’ve heard a lot of arguments as to why women are prohibited from teaching and preaching.
There aren’t a lot of arguments– there’s just a lot of people quoting a couple of passages from Paul’s epistles in a way they believe “proves” that ministry positions which involve leading men, or teaching or preaching to men, is a boys-only job.
Here’s 10 reasons why I think today’s Christians should be affirming and supporting women serving in church leadership, whether it’s leading, teaching, or preaching the Gospel:
10. The testimony of Scripture bears witness to female leadership in both the Old Testament and the early Church.
The Bible, as a whole, was written over a considerable span of time and from within various ancient cultures– most of which were patriarchal and viewed women as radically inferior at best. And while the Bible has plenty of traces of those ancient mindsets about women, it is also true that we see God raise up strong female leaders both in the Old Testament and in the New Testament church.
If women are forbidden from teaching or leading men, God really messed up by letting those parts get included.
9. Jesus trained female disciples– and they were the most loyal ones.
They fell asleep when he begged them to keep him company. One betrayed him. His right-hand-man publicly denied him three times. The rest abandoned him in his most critical moment. In fact, one of them even ran away naked (Mark 14:51-52).
But his female disciples?
The last people at the cross? Women.
First people at the tomb? The women.
8. God chose two women to become the first evangelists who proclaimed the Gospel– and they proclaimed it to men.
The Gospel, by definition, is the life, death, and resurrection of Jesus. This is the “Good News” we are called to preach to the ends of the earth.
And who were the first ones to preach it? You guessed it– the female disciples were the very first to proclaim the Good News, and they proclaimed it to the men.
7. Paul was not writing a manifesto to every church in every time, but wrote to specific churches facing specific issues that are not completely known to us.
The argument against women teaching, preaching, or leading in church, is often centered around a few passages from Paul. But here’s the problem: Paul wasn’t writing a general manifesto on how all churches should be run in all times and all cultures, and I think he’d be aghast that we often treat it that way.
“Epistles” mean “letters”. Paul was writing specific letters to specific people and specific house churches. He addressed their specific questions and their specific challenges– and we don’t always know for sure what those were, or what situations he intended specific advice/instructions to be applied in. Since we are not the people Paul was writing to, and our church context is not the same as theirs, it would be dangerous at best to approach his letters as being blanket prescriptions for all times and circumstances.
6. If Paul was issuing a decree for all churches in all times, he completely contradicts himself in the same letter and elsewhere.
Paul says that women should be “silent” in church, you say? Well, in his letters he references female church leaders and references women prophesying in church. If his other statements were intended to be blanket prescriptions for all circumstances, even hemissed the memo.
5. The cultural context of Paul’s letters must be considered—some instructions were clearly meant to be applied within a specific cultural context.
Try this: the next time some guy says that women can’t preach and “God’s word never changes” and that we’re supposed to just “read and obey what’s written”, ask him if he kisses other men when he says hello to them at church– because Paul says to do that in 2 Corinthians 12:12.
You’ll demonstrate the point on how we all– even fundamentalists– seem to innately realize that the context of a passage matters.
4. Jesus said the Holy Spirit is free to go where it wills.
Teaching is a gift that is ultimately given to believers by the Holy Spirit, and Jesus describes the Spirit as one who is free to go where the spirit goes (John 3:8). Who are we to limit the authority of the Holy Spirit by claiming that the Spirit is only allowed to gift men to preach and lead the Church?
3. The Bible never commands us to abandon evidence and reason, but commands us to consider them.
On my own journey out of fundamentalist Christianity, it was being confronted with the clear and undeniable evidence that women can be equally gifted as men to teach and preach the Gospel that became the sticking point I couldn’t ignore. Seriously, listen to a few sermons by Brenda Salter McNeil and tell me women can’t preach.
The Bible invites us to reason. It commands us to test everything and then look at the evidence. One cannot survey the evidence honestly and walk away with any conclusion other than women– especially Brenda Salter McNeil– have *clearly* been gifted by the Holy Spirit to teach and preach to the body of believers.
2. God gives people gifts with the intent they be used– not squelched.
What would be the point of God gifting and equipping someone with a clear gift, and then prohibit them from using it? (Oh, and don’t tell me they can be gifted but can only preach at women’s conferences). The entire point of a gift is to remove it from the bushel that we or others use to obscure and hide it, and to then use that gift to grow God’s kingdom as far and as wide as we can.
1. Our mission is far too critical to exclude gifted teachers and leaders.
As Christians, we need to ask ourselves an honest question: Do we believe our mission to the world is urgent and critical, or not?
Do we really believe all that jazz when we talk about making Christ known among the nations, and when we say there’s no time to waste?
If we do– if we *really* believe in the calling to spread the Good News of the Gospel of Jesus Christ, and if we *really* believe our mission is critical and time sensitive, why in the world would we want (or think God wants) to silence half of the people who are best gifted and equipped to actually do it?
Dr. Benjamin L. Corey
Shared from http://www.patheos.com/blogs/formerlyfundie/10-reasons-christians-affirm-women-pastors-preachers